YA fiction – Cannons to Cruising

Welcome back!

My blog fell by the wayside this summer. June and July were filled with revisions for WHAT I WOULD DO FOR YOU, then I solo-parented for three weeks while Conor blew some stuff up. August was spent trying to soak in as much PNW sunshine as we could before school started. Blake Island, blackberry picking, trips to Seattle, art fair in Anacortes, out-of-town visitors, waterfall hikes, and ‘Feral Friday’ playdates. We are still a few weeks off from the true darkness, but I already miss my 9pm sunsets! There might be a few more dinghy trips left in the season, but I can feel the window closing until next spring. This changing of the seasons has thrust me back to reality and my to-do list, including an update here.

It’s hard though, because I don’t know what I should post and what I need to keep on the down low! This is a new stage in my writing career, and I’m trying to figure out the rules. What details can I reveal about the stages of my projects? I can tell you that my agent and I are happy with the final version of WIWDFY. We will be discussing the necessary revisions for GYBE, my YA sailing thriller, very soon. I also brainstormed a third project this summer that is a YA Irish folklore-inspired fantasy, and I’m waiting for feedback on the proposal to see if it’s a project worth continuing.

Books aside, I have tried to be brave and submit some short pieces of writing lately. Keep an eye out for a reflection piece I wrote for War Horse magazine coming out in October. I also just found out that a micro-fiction story I wrote for 101 Words was accepted this week! When I first started pitching, I was always so in awe of the other writers who had a lengthy bio. I am a writer with a bio now!

Speaking of updating my bio, I will soon pass along the Pen Parentis Fellowship crown to the 2025 winner who was chosen earlier this month! I can’t believe it’s been a year. SO much has changed, and I am incredibly thankful for my professional growth between then and now, and the people that have impacted and helped along the way. Hopefully by this time next year, I’ll be holding my hardcover book in my hands (and bawling my eyes out).

Love,

Taylor

How I Got My Agent

I’ve been waiting a decade to make this post. I HAVE A LITERARY AGENT! I am loudly and proudly screaming it from the rooftops—Taylor Hobbs is represented by Michaela Whatnall of Dystel, Goderich & Bourret Literary Agency.

It all started with a cold query in early October. I found Michaela’s Manuscript Wish List page and hoped my book, What I Would Do for You, might be a good fit. The bio stated that they have a soft spot for heartfelt contemporary YA fiction, sibling stories, and diverse voices. However, QueryTracker (the site that everyone uses to submit queries/track data) did not help my confidence—this agent requests additional material from about 2% of their queries. My sister was like, “Oh, the Harvard of literary agents.” Thanks, Calley. I figured I’d be part of the 98% rejection stats, but I might as well start the query process of my 7th book with getting rejections from my dream agents, right?

To my shock, Michaela requested the full manuscript ten days later. My thought was, “At least I know my pitch/concept is working!” Not, “They’re going to love it and sign me!” I’ve had many full requests across all my manuscripts over the years. It is a great confidence boost but I know it ultimately doesn’t go anywhere. Honestly, I was just flattered to make it past the form rejection.

I submitted the manuscript and tried not to get my hopes up. I joked with my Pen Parentis writers accountability group that I was going to manifest an agent in 2024. Well, everyone manifested their butts off because ten days into the new year I got the email that Michaela wanted to set up a phone call and chat about the book.

We talked for an hour and half! I knew within ten minutes that Mike was the right agent for me and the book. They get the heart and soul of it, and we just meshed on all the revision ideas. It was like talking to an old friend. I know they are going to push me to be the best writer I can be, for What I Would Do For You and my future books. I am thrilled about this partnership and can’t wait for what’s to come in my career!

I have so much gratitude toward everyone who has been cheering me on all these years. Thank you for continuing to believe in me and talking me off the ledge of self-doubt countless times. Thank you for reading truly terrible first drafts and listening to half-formed plot rambles. Thank you for seeing the value in art and stories and helping me hold onto myself. You know who you are. I love you guys.

Love,

Taylor

Pen Parentis Fellowship

When I started drafting book #7 at the end of June, I did so to try and finish in time to attend the PNWA conference. However, nobody else knew that I quietly submitted a short story back in April to a literary organization that supports parent writers, Pen Parentis, for the chance to win a very prestigious fellowship. The odds of winning were miniscule, one in hundreds of submissions. I told myself that was fine, that writing my very first short story was prize enough in itself. This short story is what got the wheels turning to conceptualize my current novel.

As I worked away all summer on this novel, a tiny voice wondered what if. What if I actually won? What if I could go into the conference in September with not only a new book to pitch, but also with an award-winning short story of the same topic? The 1/1,000 shot I could take the momentum from that and run with it kept me to my summer deadline. In case luck met opportunity, I wanted to set myself up for as many advantages as possible.

Y’all. I got a call THE DAY AFTER I finished the first draft of my novel (70,000 words) informing me that I am the 2024 Pen Parentis Fellow.

I will pitch my book in front of an agent panel in ten days. I’ve been trying to get an agent for almost ten years. Is this the final sprint?

Love,

Taylor

Book #6

I started a new book project this week. If anyone else is keeping track, this is will be my 6^th book. Every time I finish a novel, I think that will be the last one, convinced that there are no more stories inside me. Then, inevitably, an idea starts to take hold. With Cloaked, it was the opening scene. With Sonder Village, it was the setting. With Hedge Dancer (the book I’m pitching now), it was an effervescent main character who had to be shared with the world.

I was very afraid this past year that I really was out of stories. Usually, my brain needs a 6 month break before notes, bullet points, and quotes start finding their way to scrap paper. I finished Hedge Dancer in September, and come February, there were still crickets. All spring I waited, amid the moving chaos, for something real to take hold. My mind and my body were still whispering ‘rest’, and for once, instead of trying to do it all, I listened.

So much of writer advice is “Butt in chair!” “Those words won’t write themselves!” “Habit over waiting for inspiration to strike!” A lot of times it is true, and this advice pushed me to complete five novels. But I had drifted too far from myself, and I needed to get back to me before I could create imaginary people with the love and depth they deserve. I’m finally reading more, devouring books like I used to when I was a teenager. I’m falling into more frequent posting on here without it feeling like a chore. My consistent workouts are helping me so much mentally. I feel surrounded and supported by family and loved ones.

The craving to put pen to paper started two weeks ago, but I forced myself to wait. My wonderful, fabulous sister got married last week and I needed to focus all my energy on her special day. Emotions from that day left me on such a high that I just had to start right after.

I usually write adult fiction, so this urge to write a YA novel took me by surprise. I will update on the drafting process in the coming months. I hope I can pull this off.

Love,

Taylor